More Depression
Reviewed: Amanda Petrusich's It Still Moves
Book Reviews
Amanda Petrusich knows what most people think about when they think about Americana: denim, banjos, a paisley handkerchief tied just so, maybe amber waves of grain. But she still has a host of questions about it: “What does Americana look like? What does it sound like? Does it move?” Part history, part travelogue, It Still Moves is Petrusich’s attempt to find some answers. She chronicles her travels through the South, with stops in Tennessee, Mississippi, and Georgia. She drops by meccas like Graceland, where she’s overwhelmed by all the kitschy familiarity (“There’s a toaster sitting on Elvis’ kitchen counter that reminds me of the one in my own childhood kitchen, all orange levers and fake wood paneling”), visits more serene landmarks such as Robert Johnson’s grave outside of Clarksdale, Miss., then swings up to Brooklyn where she watches indie-folk icon Sam Beam of Iron & Wine perform at Williamsburg’s McCarren Park Pool. A staff writer for Pitchfork, Petrusich initially overreaches to define Americana music: It’s “a symbiotic swirl of folk, bluegrass, country, gospel, blues, and classic guitar-and-vocals emoting [that] is always infused with the vitality of the landscapes from which it has sprung,” she writes. But it’s soon obvious that It Still Moves doesn’t intend to strictly locate the genre’s history and meanings. Instead Petrusich takes a much more meandering approach to identify the people who she feels figure prominently in the evolution of American music: Delta blues musician Charley Patton, who helped define the genre that so influenced rock ’n’ roll, Sun Studio impresario Sam Phillips, who first recorded Elvis Presley and Johnny ... Continued
Fri. Aug. 22, 2008 - Thu. Aug. 28, 2008
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